Monday, May 31, 2010

The Myth of Determinate Phenomenology

This is Part 7 of the serialization of the long version of my paper, "Color-Consciousness Conceptualism," the short version of which appeared in the Second Annual Conference of Consciousness Online. This post contains section 7 of the paper.

7. Phenomenological Objections and Replies (Determinateness)
7.1. Raffman’s determinateness objection and my reply

Raffman (1995) presents an argument designed to block the sort of conceptualism that the Second Approximation exemplifies. Call Raffman’s supplement to the Diachronic Indistinguishability Argument the “Determinateness Argument.” In the Determinateness Argument, Raffman claims that it won’t do to say that our experience is only as determinate as we have determinate concepts for (we do have determinate concepts of the unique hues green, blue, red, and yellow), and merely determinable otherwise (we have only determinable concepts for non-unique hues like dark-reddish-orange). Raffman points out that there’s no introspectible difference between the ways in which unique and non-unique hues appear with respect to their ‘determinateness’ despite the radically different ways we have to conceptualize them. (Raffman 1995 pp. 301-302).

Raffman’s argument concerning determinateness seems to overlook a powerful resource available to the conceptualist. Raffman overlooks the possibility that the failure of seeming differences with respect to determinateness may simply be due to a failure to apply a concept of determinateness. Just as the conceptualist will model differences in apparent darkness in terms of the application of a relational concept of one color being darker than another, so may the conceptualist model differences in apparent determinateness in terms of the application of a relational concept of one hue or one experience of hue as being more determinate than another. Thus, the failures of appearance with respect to determinateness that Raffman refers to may be regarded by the conceptualist as due to normal perceivers simply failing to apply any such concept of determinateness to their experiences.

7.2. Is phenomenology indeterminate?
The nonconceptualist may hold that conceptualism is manifestly implausible, that phenomenology reveals a much higher frequency than conceptualism allows of experiences of maximally determinate color shades. The nonconceptualist may take it that an appeal to phenomenology can decide (or help decide)in favor of the dispute between nonconceptualism and the present form of conceptualism. In particular, the nonconceptualist may wish to hold that it is phenomenologicallly obvious, for instance, that in the simultaneous presentation of blue1 and blue2, the content of experience is not exhausted by the determinable content, two shades of light blue, one darker than the other. The nonconceptualist may wish to offer, as grounded in phenomenological reflection, that our experiences take a stand on which determinate shades of light blue the left and right paint chips happen to be.

However, I think the conceptualist is right to reject such an alleged appeal to phenomenology as a question-begging assertion that experience is determinate in a way the conceptualist denies.


Let’s suppose for conversation’s sake that an object that is blue is only one of 25 determinate shades of blue (blue1-blue25). It’s consistent with the conceptualism I am here defending that on a discriminating encounter with two objects that are blue1 and blue15, respectively, a subject consciously experiences them in a coarse-grained way as one’s being a darker blue than the other. However, that’s not the only way the content might turn out and still be consistent with my coarse conceptualism. Other options of possible contents include (1) one color’s being only slightly darker blue than the other (where the coarse-grained concept SLIGHTLY DARKER THAN is deployed), (2) one color’s being some determinate degree of darkness darker blue than the other (where the coarse-grained concepts deployed remain open on which determinate degree of darkness it is), and (3) one color’s being some determinate shade of blue distinct from the determinate shade of the other (where the coarse-grained concept DETERMINATE SHADE is deployed in a manner leaving open which determinate shades are present).

The nonconceptualist needs to provide some argument that our experiences do take a stand about which determinate shades are present, and thus an argument that characterizations such as (1)-(3) are inadequate for capturing the content of color consciousness. However, it’s not clear that the nonconceptualist has such an argument at hand.

Perhaps a charitable reading of the nonconceptualist here is as presenting a phenomenological argument, an argument that has as implicit premises propositions concerning how our experiences seem upon introspection. However, such an appeal to introspection may be easily countered by the conceptualist along the lines I sketched against the Determinateness Argument. It may seem to us that our experience is of determinate shades because we deploy, in introspection, an existentially quantified conceptualization that there are some distinct determinate shades present. It may very well be the case that it seems to us in introspection that our experience takes a stand on which determinate shades are present without it being the case that there are determinate shades that experience takes a stand on. Compare: I can believe that there is some particular man in the next room without there being a particular man that I believe to be in the next room. I hear a solitary manly voice from the next room over. I figure that it must be some particular man (what other kind of man could it be? A non-particular man?). But for each particular man I have beliefs about, I do not have a belief that commits me to that particular man being the one making the manly racket.

Sunday, May 30, 2010

Saturday, May 29, 2010

swing swing swing

Second approximation of a response to the non-conceptualist

This is Part 6 of the serialization of the long version of my paper, "Color-Consciousness Conceptualism," the short version of which appeared in the Second Annual Conference of Consciousness Online. This post contains section 6.6 of the paper.

6.6. The Second Approximation
I think that the most promising strategy for the conceptualist in responding to worries concerning diachronic indiscriminability, especially in light of the New Experiment, is to emphasize the indeterminacy of the content of most color concepts. The relevant notion of determinacy may be spelled out in opposing terms of, on the one hand, color properties that are maximally determinate—thought of, perhaps, as points in a color solid or lines on a color spectrum—and color properties that are merely determinable—thought of, perhaps, as regions of non-zero extent in a color solid or bands of non-zero thickness on a color spectrum.[11]

Consider the conceptual content expressible by the sentence John’s shirt was a shade of light blue. We might think of the logical form of this content as being existentially quantified: there is a shade of light blue such that John’s shirt has it. We might even allow that the content commits to there being a maximally determinate shade that the shirt has, while being noncommittal as to precisely which shade that is: there is a maximally determinate shade of light blue such that John’s shirt has it. As I shall be understanding the relevant notion of indeterminacy, the color concepts expressed in the above sentences concerning the color of John’s shirt are indeterminate. The concept deployed, LIGHT BLUE, has a content that is determinable but not determinate—there are multiple maximally determinate shades that are correctly conceived of as light blue.

An appeal to indeterminacy can help the conceptualist deal with the New Experiment in the following manner: The conceptualist may suppose that the conceptual content of the experience upon being presented with both chips at time t1 is roughly expressible as

(e1) The chip on the left has a shade of light blue that is darker than the shade of light blue on the right.


And the conceptual content of the experience at t2 is roughly expressible as

(e2) The chip on the right has a shade of light blue that is darker than the shade of light blue on the left.


The conceptualist may point out that the content of e1 and e2 differ only with respect to which chip (chip on the left v. chip on the right) is being conceived as being a shade of light blue darker than another. The concepts deployed with respect to color in e1 and e2 are the same concepts. But the failure of diachronic distinguishability may be explained in terms of the indeterminacy of the deployed color concepts. The contents of e1 and e2 are noncommittal as to which maximally determinate shade of light blue each of the presented chips have and thus the subject is at a loss to say whether the darker of the two chips at t1 is the same maximally determinate shade as the darker of the two chips at t2.

An emphasis on indeterminate conceptual contents can also account for the data of the Old Experiment. Now, like the First Approximation, the advocate of the Second Approximation’s indeterminacy-based explanation can say that the same color concept, LIGHT BLUE, is deployed at t1 and t2. But what distinguishes the First Approximation from the Second Approximation is one of emphasis: where the First Approximation emphasizes the sameness of the concept deployed, the Second Approximation emphasizes the indeterminacy of the concept deployed. We might say that the crucial difference of the two explanations is that the former attempts to account for indiscriminability in terms of the presence of the same conceptual representation on two occasions, the latter attempts to account for indiscriminablity in terms of the absence of a conceptual representation of which maximally determinate shade is present on the two occasions. (This crucial difference between the First and Second approximations will serve to further illustrate the superiority of the latter when we examine problems that arise in contemplation of phenomenal sorites in section 8.)

One line of support for the indeterminacy-based Second Approximation over the First Approximation is that the subjects in the experiments are not confident that at t1 and t2 they are presented with the same color. Instead, they lack confidence about whether the presentations at t1 and t2 have the same color. One would expect that, if the First Approximation was correct, the subjects would be judging that the colors present at the two times are the same. It seems more plausible, however, that when one is subjected to such stimuli, one will lack confidence about whether they are the same as opposed to representing them as the same.

NOTE:
[11] For other advocates of the view that experiences can have indeterminate contents see Grush (2007), Hellie (2005), and Pautz (2007).

Friday, May 28, 2010

Fiction Friday: Sex On Wheels

Sex On Wheels

Every night some pissed-off robot kills one of your babies.

You wake to a start, some asshole pounding on your windshield. The flailing of a figure obscured by heavy downpour.

You sleep in your car. Or someone else's. Every night, parking meters doubling as rent meters. So many do, nowadays, that no one pities you. Their pity reserved for those who sleep on their biodegradeable motorcycles or reclining bicycles. No one sleeps without at least a pair of wheels under their ass, homelessness/vehicularlessness having been outlawed around the same time Hiroshima seceded from japan.

When you're in your own car, your hands never leave the steering wheel. Constant transdermal drug delivery through your palms regulates your diurnal arousal cycle. No matter where you go, you're always at work. Continuously chord-typing the keys inlaid in the hand grips. You've got eyes to spare for the multifarious inputs concerning road, work, and social relations. Everyone's a spider nowadays, you included. Though you all have the standard issue human number of limbs, its the four pairs eyes that earn the arachnoid moniker.

Your outputs are catheterized and even your ejaculate is siphoned off to one of the car's multiple reservoirs. Gentle electric shocks constantly jerk you off as the car feeds computer generated porn into one of your eyes. It's constant caress elicits raw material for your constant gene-gineering. Other materials, the bulk of the biomass, are obtained in the form of road kill.

Your car pups a litter of useful monsters daily. Its only exhaust: the products of your genometric hacking. Your babies clean the streets, repair the infrastructure. Your fame depends on the usefulness of your babies. The constant utility you secrete into society's mainframe brings favor from the city elders. But no favor from the disgruntled robots.

You're working, it seems, like 24/7. dream/work/sleep/play. Dreamwork. Sportfuck. It's all the same, nowadays, and no one pities you, their pity reserved for the robots who've been unemployed ever since the corporate heads got sick of their constant metallic whining about robot rights. Humans are cheaper and more pliable and much more willing to put up with the degradation/privilege of the 24/7, the constant go go go of the life on the wheel.

The robots are angry. The robots kill your babies.

The downpour eases up enough for you to see that it's a robot pounding on your windshield. Pounding on your windshield with the corpse of an octopus. One of yours. The sight of it makes your eyes do that thing where they all twitch in a separate direction at once. All eight of them. It's a facial expression, but the emotion conveyed is utterly alien. Even you don't know what you're feeling anymore. But your car knows you better than any lover, and the change in your body chemistry is detected by the onboard computer. The engine races and the car lurches forward. The robot crunches underneath, trailing sparks for a kilometer before it finally releases its grip on your bumper.

Every night some pissed off robot kills one of your babies. But you don't mind. You'll make more.

(c) 2004 Pete Mandik


Pete Mandik
www.petemandik.com

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Fate, Time, and Language

Fate, Time, and Language: An Essay on Free Will

David Foster Wallace, Edited by Steven M. Cahn and Maureen Eckert; Introduction by James Ryerson and Epilogue by Jay Garfield

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Thursday, May 27, 2010

Initial problems defending conceptualism

This is Part 5 of the serialization of the long version of my paper, "Color-Consciousness Conceptualism," the short version of which appeared in the Second Annual Conference of Consciousness Online. This post contains sections 6-6.5 of the paper.

6. The First Approximation and its problems
6.1. Problems facing the First Approximation

The gist of the First Approximation is to hold that the way blue1 appears in the diachronic presentation is different from the way blue1 appears in the synchronic presentation (blue1 seems the same as blue2 in the diachronic but different from blue2 in the synchronic presentation). This looks to be endorsed by Rosenthal (2005, pp. 188-189) and Gennaro (forthcoming).
One of the main problems immediately faced by the strategy under consideration is the following: Since, (1) by hypothesis, the phenomenal appearance of blue1 in the diachronic context is the same as the phenomenal appearance of blue2 in the diachronic context, and (2) it’s highly implausible that blue1 and blue2 give rise to the same phenomenal appearance when synchronically presented—they are synchronically distinguishable, after all—it seems to follow that (3) the phenomenal appearance of blue1 is different in the synchronic and diachronic contexts. And here is the problem: it needs to be made plausible that blue1 can give rise to different phenomenal appearances in these different contexts.

Now, the problem is not insurmountable, but spelling out just how to surmount it requires some care. And part of what will put pressure on the conceptualist is that the conceptualist will not only need to account for the data regarding diachronic indiscriminability so far described—data from what I’ll call the “Old Experiment”—but also data from a to-be-described “New Experiment”.

I turn now to discuss further these and other challenges that arise for the First Approximation, challenges with which the First Approximation will have varying degrees of success in meeting. They are:

(1) The problem of content: What are the contents of the different experiences in the synchronic and the diachronic presentations?
(2) The problem of mechanism: Why are the contents that way and not some other?
(3) The problem of plausibility: Can it really be made plausible that blue1 seems differently in the synchronic and diachronic contexts?
(4) The problem of the New Experiment: Diachronic indiscriminability can be shown to fail in experimental setups where it’s quite plausible (more plausible than in the Old Experiment) that there isn’t a difference between the way blue1 is experienced in the synchronic and diachronic tasks.

6.2. The problem of content
This looks to be an easy problem for the proponent of the First Approximation to meet. It doesn’t look like there’s any special reason to think that this version of conceptualism will be at a loss of giving an account of what the contents are. They can say, for example, that in the synchronic presentation of blue1 and blue2, the content of the experience is exhausted or matched by the conceptual content expressible as two shades of light blue, one darker than the other. And they can say that, in the diachronic context, the relevant content is expressible as light blue.

Alternately, there might be comparative concepts involved in the diachronic presentations, concepts that are involved in comparisons to the background.

Now, in saying that the proponent of the First Approximation can answer the problem of content is not to say that there aren’t other problems that may arise, but the problem of simply giving an answer to the question of what the contents are is met by the First Approximation.
It needs to be emphasized that, relative to the dialectic, the conceptualist need not give a very specific answer to this question as long as he/she rises to the challenge of making plausible that there are enough concepts for the colors experienced. For the purposes of simplifying discussion, I will take the First Approximation to be giving the following specific answer to the content question: in the diachronic presentation of the chips, the color content of experience is the noncomparative BLUE whereas in the synchronic presentation, the color content is the comparative DARKER BLUE THAN.

6.3. A problem with mechanism?
Given some answer to the question of what the relevant conceptual contents are in the different contexts, a further questions arises of why those contents, and not some other. One way to put a point on it is to consider that the proponent of the First Approximation holds that (1) in the synchronic context but not the diachronic context, a comparative concept, a concept of one shade’s being darker than another, is deployed and (2) in the diachronic context but not the synchronic context, only a noncomparative concept, a concept of being light blue, is deployed. The problem of mechanism might be stated as the problem of supplying some mechanism that explains why the concepts deployed are as described in (1) and (2) as opposed to (1’) comparative concepts deployed in both synchronic and diachronic contexts or (2’) noncomparative concepts deployed in both synchronic and diachronic contexts.

There are two questions that I will address in turn: Why not comparative concepts in both the synchronic and diachronic contexts? Why not noncomparative in both synchronic and diachronic contexts?

Why not comparative concepts in both synchronic and diachronic contexts? The portion of this question that is especially pressing is why not comparative in diachronic? One can put a point on this by saying that nothing seems to rule out, at least in thought, conceiving of the diachronically presented stimulus as not just light blue, but as a blue lighter than the blue on the Union Jack.

One sort of move the conceptualist can make at this point is to appeal to an independently motivated account of a mechanism that would serve to distinguish a perceptual deployment of a concept, in this case, light blue, from a deployment in an accompanying thought, in this case, lighter than the blue of the Union Jack. One might say that what's distinctive of perceptual deployments is that they are automatic and exogenous, and further, which concepts are automatically exogenously elicited by a stimulus reflects, in part, the learning history of the person (Mandik, 2006).

An additional move is to note that it wouldn't really be damaging to the conceptualist to allow comparative contents in the diachronic context, for there's no reason to believe that the comparative concepts would have much effect on the patterns of success and failure in the Old Experiment. So, to go back to questions along the lines of “Why can’t a subject apply a comparative concept in the diachronic case?” the advocate of the First Approximation may offer a response that will be along the lines of “They can, but these will just be guesses or flights of fancy with no real hope of being accurate.” So, suppose a comparative concept were deployed during the diachronic case. Which one? And, when? At time t1 the subject can make some wild guess prediction that the current color is darker than the one coming up next. But there’s no reason to suppose the existence of a reliable mechanism for deploying the right concept. That would be clairvoyance. At time t2 the subject can make some wild guess that the previous color was darker, but it is implausible to suppose there to be a memory trace of what was present at time t1 and thus the subject would be no more reliable about the past than the future.

I turn now to the second question that constitutes the problem of mechanism. Why not noncomparative concepts in both synchronic and diachronic contexts?

The portion of this question that is especially pressing is why not noncomparative concepts in synchronic contexts? Why not two noncomparative concepts, BLUE1 and BLUE2? On the face of it, the hypothesis that the subject possesses these two concepts is tantamount to the hypothesis that the subject possesses individual concepts (lexical, non-phrasal concepts) for each property the subject is able to perceptually discriminate. And the question needing consideration here can be considered as the question of what basis the conceptualist has for rejecting this hypothesis. It strikes me that the remarks made earlier about memory can serve as this basis. Noncontroversial examples of experienced colors we do have concepts for are such that, as a matter of empirical generalization, differently conceptualized colors are diachronically discriminable. It seems reasonable, and in keeping with empirical generalization (M) for the advocate of the First Approximation to deny the possession of fine-grained noncomparative concepts by subjects to whom the relevant colors are diachronically indiscriminable.

6.4. The problem of plausibility
The defender of the First Approximation needs to make it plausible that blue1 can seem different in the diachronic and synchronic contexts. Here the conceptualist can make a plausible case that such differences would be a species of already well known and widespread effects of context on color appearance. Context effects are well known in the literature on color perception.[10] In normal lighting conditions, one and the same paint chip may seem gray or bright yellow depending on what else is present in the visual field. Further, manipulations of context can make distinct chips look the same in color. Such context effects need not involve a difference in what light arrives at the eye from the paint chip in question. Nor are they explained by interactions between retinal cells. The perceptual effects of context depend on higher levels of the visual processing hierarchy than the retina.

It is open to the conceptualist, then, to offer as plausible that different conscious perceptions arise from the same chips presented in different contexts. Presenting a chip by itself on one occasion and with another chip on another occasion is to present the chip in two different contexts, contexts that give rise to differences in the perception of the color of one and the same chip.

6.5. The “New Experiment”
Where the first three problems seemed met by the First Approximation with relative ease, this fourth problem will show some real weaknesses.

We can view the New Experiment as designed to control for the sorts of context effects discussed above. The sort of redesign I here have in mind might go as follows. The stimuli presented in each distinct presentation in the diachronic discrimination case would be one of figures 1 and 2.


figure 1.


figure 2.

The task put to the subject is to make a “same as before, yes or no?” judgment about colors appearing on the right side of each display. Synchronic discrimination tasks could use just one of figures 1 and 2 and ask, say of figure 1, if the left and right regions contain the same color.
Such an experimental design is aimed at avoiding the accusation that the colors presented in the synchronic and diachronic contexts are colors presented in different color contexts and thus may not be assumed that there is a color appearance that is constant across contexts. In this new experiment, the color context of the right-hand color in figure 1 is arguably the same as the color context of the left-hand color in figure 2 since figures 1 and 2 are just spatial rotations of each other.

The New Experiment seems to pose a serious difficulty to the First Approximation. Recall what the core of the First Approximation’s explanation of the data in the Old Experiment is: blue1 and blue2 are synchronically but not diachronically distinguishable because the conscious experience of blue1 involves different concepts in the synchronic and diachronic contexts. But in the New Experiment, the synchronic and diachronic discrimination tasks do not involve presenting blue1 in different contexts, so the First Approximation’s central explanatory strategy looks to gain no purchase.

Now, I am optimistic that there is a version of conceptualism that will be able to handle the data from the New Experiment, but it looks like the explanatory strategy the First Approximation will not suffice.


NOTE:
[10] See (Lotto & Purves, 2002)

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wait for it

Shot with my Hipstamatic for iPhone
Lens: John S
Film: Blanko
Flash: Off

Pete Mandik
www.petemandik.com

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